Is there any specific tutorial you’d like me to make? Or perhaps you have a question? Just leave me a comment below. My next tutorial will be about how you can better organize your samples in order to get a faster workflow, so make sure you subscribe to this channel, so you’ll be notified when it’s done. That’s it, you’re done! If you make a sweep that you’re really happy with, I recommend bouncing it to a WAV file so you can use it in later projects. If you want, you can add some reverb to it as well. So I’ll add another eq, and roll it off gently to make it sound more pleasing to the ears. The high-end will tend to sound a bit harsh, so I recommend rolling it off a bit.
If you don’t know how to set up sidechain yet in FL Studio, it’s okay, you can check out my sidechaining tutorials. I’ve already set up the side chain, so I just need to enable it here. Let’s sidechain it a bit as well, to give it some of that pumping rhythm. In this video, I will show you how to make a whooshing filter sweep in Reaper for buildups and tension. if you wanted to sweep down instead, just do the opposite. I am using a white noise sample and putting EQ and ot. Now it will start low, and then open up gradually. The automation clip will then be inserted into the playlist. Right click here, and select “make automation clip”. We’re going to automate this filter to make it sound like it’s sweeping up. Then we’ll have to make a low-pass filter. The first thing we have to do is add an EQ. To do that, we’ll have to make some automation for it.
Essential for build ups, risers, downers and more, these samples will provide a full 360 white noise experience. It doesn’t have to sound much like a typical sweep yet. Grab White Noise, the collection by LANDR and instantly add a sense of rise and fall to your tracks. I want this to be a short sweep, so I’ll make it four bars long. Next, open the piano roll and make a note. That’s the one with the dice symbol.Īs you can hear, it’s now generating white noise. Make sure you select the noise waveform on all three oscillators. So let’s load the 3x oscillator into the channel rack. You can use any synth for this, but I’ll use the ones that come with FL studio to make sure that you all have it.
You can of course by sample packs that contain all kinds of sweeps, but why not make them yourself? It’s very easy to do, and by making them yourself, you can customize them to suit your track perfectly.īesides, it’s free and you don’t have to browse through hundreds of unusable samples every time. As you may have noticed already, they also helped build the track up, or down by sweeping up towards take off, or down towards a more quiet part to make the transitions smoother. There’s a good reason why they are there, so keep watching, and I’ll tell you all about it, right after this: This, is a FireWalk production! The sweeps are there to help create ambience in the track, allowing it to breathe more. I’m talking about those swosh sweeps that you keep hearing all kinds of EDM music.
Through this process of objective tests with the RTA and subjective listening tests with your ears, you will arrive at the best setting for your Dynaudio loudspeakers.This tutorial will teach you how to make your own white noise sweeps. Once you have the tilt filter set for the flattest response curve in the RTA, return to your reference material to see how it sounds.
If the spectrum analyzer shows a greater degree of high frequencies, set the tilt filter to dark (D) and check the results. If you notice excessive levels in the low frequencies, try setting the Sound Balance filter to Bright (B) and check the results. In the RTA display, the reading should be as level and even as possible. Pink noise is a balanced level of noise across the entire spectrum. Change the Sound Balance filter to see how the response changes the response curve in the RTA. Just use white noise oscillator in any synth then u can either automate low pass filter cutoff inside synth or use an eq and sweep from like 5khz down to like 500hz visa versa. Play the pink noise through one speaker at a time at a reasonable level (~80-85dBA) and place the iPhone or iPad at the listening position. Make ur own samples- sound just as good and are way more customisable. If you wish to play pink noise from your computer workstation, a WAV file containing pink noise is available at the bottom of this page. Play the pink noise from the Dynaudio Meter and adjust the level for a reasonable playback volume. You can connect the device directly to the speakers using a conventional headphone to RCA adapter.
In the Apple App Store, search for “Dynaudio Meter” to locate and download this free app. We have created an iOS app with these tools built in so you can quickly test and calibrate your LYD speakers using your iPhone, iPad or iPod touch.